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Kenyan politics is a boys’ game, but women are fighting hard for their rightful seat at the table

April 7, 2020

When footage circulated last week of a Kenyan lawmaker, Hon. Zuleikha Hassan, being kicked out of parliament for coming in with her baby, reactions across the country were mixed, but mostly muted. A home emergency left the Kwale county women’s representative with no one that she could leave her five-month old baby with.

It’s a conundrum that millions of nursing mothers face daily around the world—a choice between their jobs and taking care of their babies. Hon. Hassan took her baby, Mwanabaraka, with her to work as a bill was being discussed that she felt was important for her constituents.

In the video voices of some male politicians can be heard shouting, “You have to chase her!” Several female lawmakers and a few male ones appeared to come to Hassan’s defense, but eventually she and her baby were forced to leave parliament.

The act, which took place on the last day of world Breastfeeding Week, could not have been more timely. In 2013, Kenyan lawmakers had actually passed a bill requiring Parliament to put aside a room for breastfeeding mothers, but six years later this has not happened. In a parliament that is 76% male, such an oversight is not all that surprising.

To access full article on Quartz Africa, click here.

In Kenya Tags Africa, Kenya, Feminist, Feminism, Politics, Patriarchy
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'The Spread' Is the Sex-Positive Kenyan Podcast Offering a Safe Space for Women and LGBTQIA+ Issues

September 10, 2019

'The Spread' is the podcast dedicated to "decolonizing" the way Africans talk about sex and sexuality, say it's creator Karen Kaz Lucas.

Karen Kaz Lucas is the revolutionary brainchild behind Africa's best-known sex positive podcast, The Spread. Three years in, the 52 podcast episodes, covering a range of diverse topics including: The Male-Female Pleasure Gap, Sex positive parenting, LGBTQIA+ issues, Kink, Reproductive Rights, and Porn vs. Reality, has listeners ranging from 6,000 to 21,000 and episode on SoundCloud.

Recently, The Spread had its first major event TheSpreadFest, a day-long event attracting over 600 people with diverse panels, workshops and more. It's been hailed as a truly safe and inclusive space for people of all sexual identities. Okayafrica contributor, Ciku Kimeria speaks to The Spread creator Kaz on her journey to decolonize sexuality, her motivation, and her hopes for the continent relating to matters of sex and sexuality.

Read the conversation below.

What made you start The Spread podcast?
It was to address the key gaps in discussions around sex and sexuality and to create a safe space to discuss them. Younger people were either learning about sex from porn or on the flip side from a religious standpoint or the education system, where the focus is on the risks of engaging in sex (teen pregnancy, STIs etc). As such they were either getting information from a fear-based system, shame-based system or porn that has very little to do with real life sexual situations and intimacy. I wanted to create a safe space where people could talk about all issues related to sexuality but in an open, accepting and enlightening way. For me, this is an informal form of sex education that allows people to explore their sexuality from an unbiased perspective—no judgement, no shaming.

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What's the reception been like so far?

The reception has been overwhelmingly positive. I had no idea that the podcast would grow and be as successful as it is now. People are hungry to meet similar people and have discussions without judgement. Of course, there are also people who react negatively to my work and say that this is a result of "Western influence." To those people, I say that they should know that the majority of my work is focused on decolonizing sexuality.

Great transition. I first saw the term "decolonizing sexuality" in your Instagram bio. What exactly does that mean?

Prior to Western intrusion, we already had our own sexual culture. I'm trying to remind people that certain things we embrace as "African" and defend when it comes to sex and sexuality, are elements that came to us through religion, Westernized education etc. The shame associated with sex and sexuality on the continent are remnants of Western teachings.

Prior to colonization many ethnic groups had religious healers who were neither considered male nor female but were gender fluid or intersex. There were ethnic groups that didn't base gender on anatomy but on energy. Gender fluidity on the continent was observed even more than you would find in the most liberal country right now. For some, you could physically have male features but possess female energy and live as a woman. Some people worshipped androgynous or intersex deities and believed that the perfect human being is both male and female. Certain tribes did not ascribe a gender to anyone until the age of puberty. In other communities, their priests were transgender, and they were the only ones who could conduct certain spiritual ceremonies. There is evidence that for several ethnic groups gay and lesbian relationships were not taboo. Unfortunately, a lot of this history has not been publicized or it is being revised as it does not fit in well with the idea that the continent is trying to now uphold as a patriarchal, heteronormative society. That is why the work of decolonizing sexuality is extremely important as we now have a generation that is open to questioning themselves. The generation of our parents lived in a time of oppressed and suppressed sexuality (among other things) as they themselves or their parents had suffered the colonial rape and pillage [both literally and metaphorically] of their lives. All they could carry was anger and fear. To survive they had to conform to what the oppressor enforced on them through religion, western education etc.

[Recently deceased] Kenyan writer and gay activist, Binyavanga Wainaina clearly outlines how it is only former British colonies that have anti-sodomy laws, which came during colonial times from the fear that British soldiers and colonial administrators would be corrupted by the natives while they were away from their wives. The law, the fears by the British government at the time, really are proof that some of the natives were already practicing sodomy.

What for you is the link between sex positive work and women's empowerment?
The average person might think that the type of work I'm doing is frivolous, but the reality is that when a society believes they have any right over women's bodies, we see all the terrible things that happen to women: rape, rampant femicide, violence against women and more. Reclaiming your sexuality as a woman is about asserting your own authority over your body—declaring the right to fulfilling, consensual sex of your own liking, the right to having children, or not having children if you don't want to, postponing or terminating a pregnancy. Once we accept the policing of women's bodies, it's a slippery slope.

Feminism is about women having equal rights and opportunities as men, and that also extends to their sex lives. My body, my choice. For those who are always ready to bash feminism, seeing it as women somehow trying to take over, dominate men, oppress men etc. They should realize that the only reason feminism exists, is because we live in a patriarchal world. Women are at the bottom of the rung, oppressed in thousands of ways. All we are trying to do, is get the same rights that men take for granted. Of course, to the ones who hold power, it will feel like a loss of power.

This is the reason why the topics we cover span everything from women's sexual pleasure to gender-based violence to LGBTQIA+ rights to women's reproductive health. All these discussions must happen in tandem.

To access the full article on Okayafrica, click here.

In Kenya Tags Sex positivity, Body positivity, Feminism, Feminist, The Spread, Karen Kaz Lucas
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Kenyan writer and human rights activist, Margaret Ogola, honored with a Google Doodle

August 6, 2019

Kenyans of a certain age will immediately recall her name as her best known novel, The River and the Source, was required reading for the high school leaving national examinations (KCSE) from 1999 to 2004.

The line by the main protagonist’s father, Chief Odero, the father of Akoko “A home without daughters is like a spring without a source” was a fitting one for a book that placed the stories of the lives of three generations of women at its center.

This book that embraced the spirit of strong African women, while immersing and celebrating Luo culture and tradition, from pre to postcolonial times, won the 1995 Jomo Kenyatta Prize for Literature and the Commonwealth Writer’s Prize, Best First Book, Africa region.

To access the full article on Quartz, click here.

In Kenya Tags Kenya, literature, African literature, Google doodle, The river and the source, Margaret Ogola
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My first literary festival – Storymoja in Kenya

October 18, 2016

This was a few years back – and it was the first festival that plunged me into the writing world. Muthoni Garland was the first festival organizer who decided to take a chance on me and my novice self – including giving me a panel with Kenyan literary greats. I was humbled and still look back at that opportunity with so much gratitude.

Still lots to be be written about that time at Storymoja but my top memories are below:

Attack of the Shidaz; I loved watching Muthoni Garland’s play at the festival. The performers were excellent and made her writing come to life. I really admired how they were able to engage the audience and have us become part of the performance.

The authors’ room at the venue: I loved this space. Friendships were made and cemented in this room. This is where I got to meet the likes of Harriet Anena (“A nation in labor”), James Murua (“Nairobiliving” “JamesMurua.com”), Beverly Nambozo, Alex Nderitu (When the Whirlwind Passes), Ndiritu Wahome, Kinyanjui Kombani, Juliet Barnes, amongst others. The friendships I made in this space have led to lots of other interesting opportunities (interviews, referrals, festival invites, drink-ups etc.)

Uliza Kiatu, H_art the band: This is not even my own memory, but one from my mother and my sister. They keep speaking about how they heard some heart-tugging guitar chords being played, turned around and found H_art the band playing their amazing hit “Uliza kiatu” right next to them on the grounds. These are the types of things that happen at Storymoja – you never know what amazing performance could be starting right next to you.

Wole Soyinka keynote address: You have never seen a full parking lot until you have seen the parking lot on the morning of Wole Soyinka’s keynote address. Seeing the legend in person would have been enough of a memory to take to my after-life even if all he did was just stand there and smile. Seeing him in person and hearing him touch on topics that are so dear to my heart – him reflecting on the Westgate terror attack that took place during the previous year’s Storymoja, hearing him pay homage to all who died during the attack – including the great Ghanian poet Kofi Awoonor and hearing him talk about issues that really spoke to my soul were almost too much to take. To date, my favourite non-fiction work of Soyinka’s is still “Climate of Fear” from the Reith lectures. It was an honor to see him echo sentiments from this timely piece in person.

Seeing Vuyelwa Maluleke – an amazing South African performance poet in person. It was the night of the gala – all the VIPs and VIIPs were gathered there. I am not actually quite sure how I managed to get into the gala. All I know is that the moment I fell in love with poetry (and began to see it as something other than the never-ending torture it had been in high school) was somewhere between seeing Vuyelwa perform at the gala and meeting all these other amazing African poets who brought poetry to life. She performed “Big girl” and I fell in love. Since then I have become obsessed with her other poems including   “Hair” and “Big school.”

In Kenya Tags Kenya, Storymoja, Festival, Literature, Wole Soyinka, Attack of the Shidaz, H_art the band, Vuyelwa Maluleke
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